She scraped: Monument to Primitivism.

"The biggest accusation against the modern planet is its architecture,"

Nicolás Gómez Dávila, New Scholia for implicite text.

"The modern mass man is indeed a primitive man who slipped through the side door into the old and respectable scene of civilization,"

José Ortega y Gasset, Mass Rebellion.

"There is no place in the scenes for anything noble, lofty, deep, delicate, tasteful or even decent. But there is everything that is violent, volatile, primitive and direct. Tocqueville warned us that this would be the character of democratic art, but its current influence, social authority and content exceeded its worst expectations”,

Allan Bloom, Mind Closed.

Opened in November 2024, the fresh office of the Museum of Modern Art in Warsaw are also example of the phenomenon we have been dealing with for respective centuries: the progressive primitiveization of society, accompanied by moral-intellectual decline and degeneration of the sense of aesthetics. It is simply a monument erected in honor of ugliness and fall, and at the same time the best proof of the emptiness of the consumer planet of demoliberism. If architecture and art are an expression of the spirit of a given civilization, then the building in Defilad Square is 1 of the proofs that the European civilization has been mastered by barbarians and is in a state of decay. Wandal's successors are not standing at the gates of falling Rome, they have already mastered it.

The alleged "modern art" is the best example of the regression of civilization and culture. There is no uncertainty that, in the sphere of intellect and morality, armed with advanced technology, the Western man has returned to cave level. We are witnessing the realization in practice of the thought of John James Rousseau – the chief ideologist and propagandist of the era mistakenly called “Enlightenment”. He was the creator of the imagination of a "good savage", and thus the main architect of the attack aimed at the foundation, on which all advanced civilization, or formal requirements of culture and religion, rises. His claims that the state of nature is simply a state of happiness and good, and culture is simply a origin of suffering, have begun the Western decay, the symptoms of which are attacks on institutions, principles and traditions. Rousseau found hundreds of continuators, among them: Charles Marx, Sigismund Freud, Wilhelm Reich, representatives of the Frankfurt School and all the ointments of postmodernists. We now see that his ideas have triumphed in democratic-liberal regimes. Requirements, responsibilities and orders arising from culture, tradition and religion are widely regarded as evil and are fought against in all way: through propaganda, education, legislation, and yet by state violence. Liberal democracy treats anyone who tries to rebuild authority in any sphere of social or political life, as heretics were treated in the mediate Ages. The only thing that has changed is the ways in which punishment is handed down, due to the fact that Demoliberism loves to hide its actual face behind the mask of sentimental human rights.

If in a 1000 years archaeologists discover the ruins of Tate Modern in London, or Museum of Modern Art in Warsaw, and see the “exponitions” preserved there, they will most likely be convinced that they have reached the ancient waste dump. specified artistic value is presented by the “works” there, which are nothing more than a evidence to the moral, spiritual and intellectual voidness of their creators. “Modern Art” has evolved into another business branch. Modern “academies of fine arts” are actually commercial schools that produce no talent on a massive scale. They are kept alive by large business and state grants. This “company of common adoration” promotes its own, writes praiseworthy hymns in honor of junk “installations” and all for 1 purpose: to advance a given “creator” so that in the trade marketplace that pretends to marketplace works of art, to conquer the prices of its “installations” and to gain well on them. It has nothing to do with beauty, good, or seeking truth. This is simply a planet of tribal primitiveism, whose representatives are enriching themselves with the feces of cave walls. People's wisdom says that "if you don't know what's going on, it's always about money."

The tiny building in the centre of Warsaw already resembles the architectural work of socialism. Modern architecture, like the 1 from the past era, is characterized by primitiveism, extremist simplicity of lumps and shapes, deficiency of decorations. It is nothing more than the belief expressed in space of the human religion of the era of socialism – without higher aspirations, an empty spiritual materialist who does not know the concept of beauty. I support the thesis that communism did not fall from 1989 to 1991, but infiltrated the West and made a matrimony with capitalism. The modern man of the West builds in a akin way as he did homo sovieticus. Their intellectual and moral voidness is identical, and the worldview is the same materialism that has been eating up European culture like cancer for at least 200 years. If the city authorities have agreed to carry out specified a task and, on the another hand, they financially support a "dishes" called "modern art", they bear witness to themselves: not only to the aesthetic level, but above all to the intellectual and moral level. Europe and Poland are ruled by barbarians who bring our culture back into the abyss of the jungle.

What is to be done in this situation by individual who has not yet gone crazy and does not recognise the “drash” promoted by demagogues and huchsztaplers as works of art? individual who has the cognition and aesthetic taste that allows him to admit that “David” by Michelangelo is simply a actual art, and the scribbles and components of modern “installations” are large moral-intellectual deception? The only thing he has to reject is what is termed “modern art”. It should be cut off from state funding, as should the ugliness and degeneration of “the academies of fine arts”. At the same time, it is crucial to ignore the tastes of private sponsors who advance "scatters" pretending to be outstanding works. Today's “artists” are mostly hoochsztaplers, small-time smarts, cyclicalists and talentless, superb in only 1 area: effective wealth on its average. Real art doesn't request co-financing, always defending itself. At the same time, it has always been connected with effort and suffering, and frequently with tragedy – all those aspects of life that a modern man avoids like fire. The same 1 that Richard M. Weaver described as follows: “The man created in the image of God, a associate in the large drama in which his soul was concerned, was replaced by a seeking and consuming animal.” Finally, we have nothing to do but reiterate Nicolás Gómez Dávila's words, which are the best summary of this monument erected in honor of the primacy of democratic and consumer society: "Modernity has won man the right to public vomit".

Mariusz Starved